Showing posts with label Connor Coyne. Show all posts
Showing posts with label Connor Coyne. Show all posts

Wednesday, January 31, 2024

Hollywood by Connor Coyne ~ LGBTQ+, Literary, Magical Realism



Hollywood
Connor Coyne

Genre: LGBTQ+, Literary, Magical Realism
Publisher: Lethe Press
Date of Publication: Feb. 3, 2024
ISBN: 9781590215944
ASIN: B0CP6PG3J1
Number of pages: 97
Word Count: About 24,000
Cover Artist: Inkspiral

Tagline: A new American myth for readers who enjoy a bit of madness in their weird fiction.

About the Book: 

Anxious Ophelia steps off the elevated train in the big city, hoping to start a new life with her summer hookup, far from her dissolving family and all of the traumas of industrial Rockville. 

Over the course of the next few hours Ophelia will lose her roommate, her money, and eventually, her sense of sanity when she sees a mile-long shark out on the lake, unwitnessed by anyone else, but obviously there, because if it wasn't how did she get so soaked? 

Ophelia cannot go back to who she was before sighting the beast, and the friends and opportunities she discovers all proceed from what and how she acts on that first, fierce, drunken night.

Read an Excerpt:

One August afternoon, in the midst of the hottest years ever recorded, with the nation crashing through wars, the stock market climbing like Icarus toward the sun, and the City funneling its poor people inland as it closed and demolished the last of the projects, Ophelia got off the Red Line elevated train at the Thorndale stop, squinted in the sunlight, and kicked her foot against the platform to free a stone from her sandal.

“Home at last?” she asked herself.

She certainly hoped so. There was so much here, and all of it everywhere: dozens of dark smears from murdered bubble-gum on each sidewalk square, hundreds of quartz-bright sidewalk squares lassoing each block, and thousands of glowing, sweltering blocks throughout the City with its millions of people.

To the west, between the tracks and Broadway, Ophelia made out a video store, a laundromat, and an internet café, all noisy with activity at four in the afternoon. To the east, between the tracks and the lake, she saw a canyon of tenement apartments—mostly brick, fronted with stoic windows, several stories high—going out for three blocks before the real high rises rose from the beach, blue and white and glass and concrete, almost unimaginably tall. Their heights arrowed sunlight back toward Ophelia, hitting her from all sides. And here, too, she saw people coming and going in the glow of late summer.

“Please,” she said. “Let this be my home.”

But who was going to answer her? Not the smartly dressed Black men talking in low voices, laughing softly, leaning out over the tracks to look for the next train. Not the old Polish woman in the headscarf murmuring her rosary to herself. Not the train attendant patrolling the platform. Or the sun, the steel high-rises, the brick tenements, the video store, or the laundromat.
Since nobody would answer Ophelia, she descended the stairs, passed through the station, and went out into the City.

* * * * *

Five minutes later, Ophelia stood in the lobby of her new apartment building, buzzing for the super to come down and give her the keys. The building stood near the corner of Kenmore and Ardmore, just one block from Sheridan Road and the lake. At eight stories high, it was the tallest of its neighbors, though still dwarfed by the towers just a block away. A white stucco lobby. Moll carpet. Plastic plants standing in shell-shaped alcoves cut into the wall. Nothing fancy, but with a breeze coursing down the hall from an open fire escape, Ophelia’s new home felt luxurious.

The super arrived and eyed her new tenant suspiciously. Ophelia wasn’t tall, but she was so skinny, especially about her face, that it created an illusion of height. When she looked in the mirror, her prominent cheekbones reminded her sometimes of a skull and sometimes of a praying mantis. Ophelia was white, pale even, with fine brown hair that wisped gently about her shoulders. She generally considered herself a fairly okay-looking person, whatever her other defects might be. Still, she knew wrinkles and exhaustion were about the corners of her eyes. Anyone could see this. Everyone noticed. She was only in her early 20s but seldom got carded for alcohol.

The super frowned but must have decided Ophelia was harmless because the woman hit the button in the wall, and the elevator dinged in reply. The super pulled open the accordion gate, and as they rose through the building, Ophelia watched each floor sinking out of view. She tried to ignore the stench of stale piss. They got off at the seventh door. The woman fumbled with the keys, swearing under her breath in some Slavic language, and opened the door to Ophelia’s apartment.

She’d seen Tasia’s pictures, but they didn’t do justice to the place. The hallway opened into a long white living room with a white carpet and a bay window looking out to the east. Slivers of blue water peeked in from between the lakeside towers. An arch to the left led into a slender kitchen, all Formica and old appliances, while another hall exited the back of the living room, passing the first bedroom and the bathroom and ending at a second bedroom with plenty of closets and built-in shelves along the way. Ophelia spotted a cockroach crawling across the stovetop and another in the back bedroom. Still, there was something so happy and fierce about the light and the skylike linearity of the lake that hope welled up in her chest anyway. This was fine. No, glorious! She’d deal with the roaches later. Maybe after Tasia arrived.

As Ophelia carried out her inspection, the super stood in the living room with her hands on her hips, waiting, but there wasn’t much else for Ophelia to do: everything had already been settled.

Several months ago, she had told Tasia that she was going to off herself before the end of summer if she didn’t get out of Rockville. “Let’s move to the City,” Tasia had said. “Get jobs. Get a cheap apartment. Hit the beach. Hit the good stuff.” The joke came up several times before the friends realized that they took the idea seriously. Even though Tasia’d gotten her Associates from the community college, she seemed stuck in dead-end cashier’s jobs and was dying of boredom. Rockville was killing her slowly.

And killing me quickly, Ophelia thought. She’d only been half kidding about surviving the summer. So, before she knew it, the two were creating profiles on Monster.com, Googling neighborhoods, and emailing old friends from high school who had moved to the City. Tasia drove out one weekend, picked up some job applications, toured the apartment on Kenmore, and signed the lease. She’d gotten in on a special promo: no security deposit required. Ophelia had faxed her signature. They were in.
But if Tasia had set the whole thing up, she also needed another week to tie up the last loose ends at Spencer’s Gifts. “My manager got caught stealing inventory,” she’d said. “They want to promote me. I haven’t broken the news to them yet.” So, Tasia stayed behind while Ophelia went ahead with her sleeping bag and a backpack full of cleaning supplies. To get the new place ready. To make it homey.

Ophelia thought back to the 4th of July weekend when she’d lain in Tasia’s bed with Tasia on top of her and Rockville’s fireworks bursting out the windows. The taste of shandy on Tasia’s lips and her sturdy weight pressed down. How all the wretchedness and sorrow of all those years had collapsed that one drunken night. So ... were they friends now? Roommates? Lovers? Friends-with-benefits? With all the planning for their big move, this was one thing they hadn’t discussed. Ophelia wasn’t sure if it complicated things or simplified them.

“Okay?” asked the super.

“Thanks,” said Ophelia. “It’s wonderful.”

“Okay.”

As if on cue, a dull thudding sound—four-to-the-floor with the bass bass bass—started thrumming down from the apartment overhead. The eighth-floor penthouse.

“Uhhhhh,” groaned the super. “They never stop.”

She let herself out, leaving Ophelia with the music.

* * * * *

It took Ophelia only a short time to unpack. She chose the second bedroom, near the back. It didn’t have a view of the lake, but it got more sun, and she could see the long sweep of high-rises following the shore and rising toward their downtown crescendo. Since she didn’t have a dresser or bed, Ophelia stacked her clothes in neat piles along the wall, unrolled her sleeping bag in the middle of the floor, and crushed a cockroach with her shoe before it could scurry for cover. Then, with the music still thudding overhead, she shouldered her backpack and left the building.

Ophelia found a supermarket just past the Thorndale stop on the other side of the tracks and spent the next half-hour in a reverie, pushing a shopping cart up and down each aisle and wondering what the next month held in store. I could apply to be a cashier here, she thought. I could apply to be a teller at that bank across the street. I wonder if I could apply to work for the El trains. I’ll need to make money somewhere! She didn’t worry a whole lot about what she did or didn’t need to buy. She had a crisp hundred in her wallet—a parting gift from her grandpa and some keychain pepper spray—but this was just the first of many shopping trips. Right now, she just needed to make it through the next week. She bought some Bisquick, some eggs, and milk. Instant coffee. Bananas and apples. Bread and peanut butter. A dollar box of cookies. A six-pack of cheap beer. Paper plates and plastic forks. A tall can of Raid. A small pillow. It ate up half of her money, but it was enough. She was halfway home before realizing she had nothing to cook the pancakes in or boil water for coffee. I can go back tomorrow, she thought. The peanut butter and beer will keep me going for tonight.

When Ophelia made it back, the sun was lower in the sky, and shadows covered the streets below. The thudding upstairs continued. She set her keys and phone on the counter, massaged her sore arms, and noticed that she’d missed a call from Tasia.

“Tasia?” she said when her friend answered.

Tasia gasped. “I didn’t think you’d call back so quick!” she said.

“Why wouldn’t I call back quick? I was carrying groceries. What’s up?”

“I’m bursting! I’m bursting! I can’t lie! I can’t come to the City with you!”

“What?”

“I was going to turn down the manager job, O, but that was before they made the offer. I didn’t know it came with such a huge raise. They’re gonna pay me twelve an hour. That’s, like, twice what I make now! No way I will get a job in the City that pays that much. And you know how expensive it is there ... have you seen the gas prices yet?! We didn’t think this through, O. I can’t move now. It would be crazy. I mean, it would be fucking stupid. I mean, I’m gonna get fucking health care!”

“Slow down, Taze. We have been planning this for months!”

“I know, I know, I’m so sorry, it was my mistake too. It was just a dream, you know? It was a silly dream. A summer thing.”

“But our names are on the lease!”

“No security deposit, remember? So, we’re out that first month, but I’ll make that up in like a month. Maybe two. Point is, I’ll make it up quick! You could get out. It was my fuckup. I signed the lease. We just walk away. Hey, I’m the manager here now. I can hire you. Think how fun that’ll be. We can work at the mall together. Lunch at the food court. You know you love them burritos!”

Ophelia’s heart was sinking. It was already in the basement laundry room, and maybe it wouldn’t settle until it reached the bottom of the lake.

“I don’t know, Taze,” she said. “I was ... I was really excited about this. For us. I ... went shopping.”

“Oh, shit. How much money do you spend on us, O? It’s okay, I can pay you back. Now I’m, like, rolling in money! Compared to what I have been. You’ll come back to Rockville, right?”

Ophelia looked helplessly out the window. A seagull sailed down the street, caught between cool breezes from the lake and the warmer currents wafting off the brick buildings.
“I don’t know, Taze. I don’t know anything right now. You shocked me. I mean, you surprised me.” She took another long pause. “I have to think about it.”

“I understand. I’m sooo sorry to just drop this. But I’d be crazy not to, you know?”

“I know. I get it.”

“Call me when you make up your mind. I’d love to hook you up.”

Would you love to hook up?! Ophelia cried out in her brain. What does this mean? What did that mean? What does anything mean?

“I will,” she said. “I’ll call you soon.”

“Hey, nothing else, we’re paid up through the end of September. Take a vacation in the City before you come back!”

* * * * *

It wasn’t anything, Ophelia thought. It couldn’t have been much. She was drunk, and I guess I was desperate.

Am desperate.

Ophelia went into the kitchen and took another look at the food she had bought. She probably had enough money left over for a pot and a pan, but she wasn’t sure that would leave enough for public transit, and if she wanted to get a job, she’d need some train fare. She decided that she could boil water for coffee in a pan, leaving her enough to take the train downtown for a week. That’s ridiculous, she thought. Who lives like this? If I go back home, I’ve got a sure thing at the mall. I can go back to Grandpa and Grandma’s. Maybe save up. Maybe try again in a year. Or two. Maybe Tasia and I get a thing going ... if she wasn’t just drunk. If she really meant it. A car on the street below started honking. The honking continued, and Ophelia realized the driver was waiting for someone to come out of another apartment. She was drunk. She didn’t mean it. There’s no way I can stay here, and there’s nothing for me to go back to there, either.

Between the thudding bass and the car honking, Ophelia was starting to get a headache.

She wanted to bang against the ceiling with a broom but didn’t have one. She opened a beer with the bathroom towel bar, using the trick her brother had taught her. She shotgunned the beer, then had a second and a third, and then she was halfway done, so she went to the bathroom for a pee and drank the rest of the beers on the toilet. By then, she was getting dizzy, but at least drunkenness was a temporary relief. The honking had finally stopped, but the bass thudded on.

Ophelia went into her bedroom and shut the door, thinking it might muffle the sound, but it didn’t. An elevated train of alcohol slammed into her skull. She giggled sadly and reeled. Ophelia knew she was just as drunk as she’d been when she’d tumbled into bed with Tasia, but she was all alone this time. The walls and windows swirled around her, the bile danced in her stomach, and her ears popped like fireworks.

“Shut up!” Ophelia said and fell asleep.


About the Author:

Connor Coyne (he/him) is a writer living and working in Flint, Michigan.

Connor has published several novels and a short story collection, and his work has been featured in Vox.com, Belt Magazine, and elsewhere. He is the director of the Flint-based Gothic Funk Press and is facilitator for the Gloria Coles Flint Public Library‘s writing workshops.

Connor is a graduate of the University of Chicago and holds an MFA in Creative Writing from the New School. Today, he lives with his wife and two daughters in Flint’s College Cultural Neighborhood (aka the East Village), less than a mile from the house where he grew up.










Monday, May 2, 2022

Book Spotlight & #Giveaway ~ Urbantasm:The Spring Storm Urbantasm, Book Four by Connor Coyne @connorcoyne ~ Magical Realism,Teen Noir

 Eventually, everything comes to an end. Even endings.


Urbantasm:The Spring Storm
Urbantasm
Book Four
Connor Coyne

Genre: Magical Realism,Teen Noir
Publisher: Gothic Funk Press
Date of Publication: May 1, 2022
ISBN: 978-1-956722-02-4
Number of pages: 474
Word Count: 158,000
Cover Artist: Sam Perkins-Harbin

About the Book:

Urbantasm: The Spring Storm is the fourth and final book in the magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.

The stage has been set. The chessboard awaits. Against a background of love and friendship, of hard-won grades and groundbreaking plays, John and his friends are ready to claim their lives, their futures, and their city. They have identified their adversary: a mysterious man who calls himself “God” and manipulates the Chalks street gang through the influence of his children. John has also unlocked the secret of O-Sugar, an otherwordly drug with the ability to distort space. But God wields a powerful influence throughout the city of Akawe, and nobody seems to understand his true motives or intentions.

As the ice and frost of a long and unrelenting winter finally crack under cold, torrential rains, frozen things begin to stir again. The brutal murder of one of John’s friends and the abrupt disappearance of another signals that the moment of action has arrived. Who will survive this dying city, and how will the experience change the survivors?  Akawe has been unstable for decades. A bit of lift and heat and moisture is all it needs to build a spring storm.


Read an Excerpt:

I borrowed a flashlight from Charles before I left rehearsal that night. I half-expected to hear some winos as I passed under the viaduct, but all was empty. I directed the flashlight beam away from the looming silos and made my way across the wet stepping stones with aching care. When I got to the other side, I saw Bill standing beside my tent, staring at me, his forehead hatchet rent.
That was when everything I had kept at a distance collapsed beneath its collected weight, and I knelt and vomited and cried. We will never be free, we will never be free, we will never be free of this, it will never go away. Then the food was gone, and I was dry heaving. I swallowed and slowly gathered my breath and looked up again.

Bill hadn’t moved. He still stared at me, the wound in his head like a third eye that didn’t watch me but looked instead at the silos hidden behind the concealing trees.

“Since you’re just staring at me, you won’t mind if I get something to drink,” I said.

I rummaged in the tent and got the water. I swirled it in my mouth and spat out the bile. Then I drank. Then I ate a Pop-Tart. Then I ate another. Then I reached into my backpack and took out some fishing line and silverware from the home ec room. Ignoring Bill, I tied the fishing line around the trunk of the willow tree and drew it in a broad loop around the clearing, wrapping it around trees as I went. When I had returned to the willow tree, I tied the line off and began hanging the silverware, in twos and threes, every meter or so. It probably took me an hour.
I plucked at the fishing line. The silverware clattered and banged.

“Now I can hear like a pigeon,” I said.

Bill started to walk away. He went a dozen paces up the trail, then looked back at me.

“What is it?” I said. “Why are you here? Why don’t you just go away? You’re an urbantasm. You can’t see me. You can’t hear me. What the fuck do you want?”

He watched and waited.

“You aren’t even there,” I said, but I picked up the flashlight and followed him along the path.

Bill led me slowly. In the utter dark – the sky was cloudy above the hundreds of branches – I had to step carefully over the cracked roots and desiccated vines. I followed Bill back to the main path, and he led me southward. We scrambled up and down a couple of hills, and I could hear the churning of the water far beneath me. I caught up with Bill at the edge of the stream. He was standing near a lightly submerged concrete pillar, which seemed to provide passage to the other side.

“What is it?” I asked.

Bill stepped onto the pillar, his footsteps not disturbing the water, and crossed to the opposite side.

I followed, my feet clumsily kicking up waves. At one point, I slipped, and my whole left leg went into the water. I almost fell off the pillar completely, but I held the flashlight overhead and hauled myself back up. I finally made it to the opposite side, dripping and freezing, and saw Bill moving away from the stream onto the bank.
Is this where she is? I wondered. Did she come back in the woods here and die, and I’m about to find her body, and then he’ll vanish, and I’ll be left alone with what’s left of Selby? Is that what happens now?

There were no paths here, and the growth was younger and denser than where I had made camp. Branches and nettles scratched my face, and the flashlight beam flew wildly. I finally emerged into a massive grassy clearing, where Bill stood waiting. He pointed. I followed his gesture.

We stood at the back of a broad lawn, looking up at a great, hulking, shuttered building made of brick and stone. It was only three stories high but close to a hundred feet tall, and the vast wings of the structure stretched off to the right and left. For a moment, I wondered how such a colossal building had gone unnoticed in the middle of the forest. Then I recognized it as the mental asylum. We’d come out of the Happy Hunting Grounds on its westward side and stood behind the massive complex. I could hear the quiet hum of traffic along South Street.

“Is Selby in there?” I asked.
Bill’s mouth moved.

“No,” he said, and there was a slight delay between his speaking and the sound that followed.

“So you can talk too. And I can hear you. And you can hear me.”
Bill stared at me.

“I’m not going in there,” I said. “No way.”

I returned the way I had come. Bill didn’t follow me. When I got back inside my tent, a blue glow rose around me.

“Is that you, Aunt Ellie?”

“Yes, my love,” came my aunt’s voice.

“Why is Bill following me? What does he want?”

“Yes, my love.”

“Why am I able to hear you now? I thought you were just images pulled back to me because of the O-Sugar. How are you able to talk? Is it a flashback? Are you just illusions? Or are you real ghosts?”

“Yes, my love.”

“Whatever you are, please protect me from nightmares again. Because the days are nightmares right now. I can’t do this if both days and nights are nightmares.”

“Yes, my love.”

I undressed and crawled into the sleeping bag. The blue glow wavered, and I knew Ellie was taking a seat outside. I closed my eyes and wondered if Bill was going to follow me for the rest of my life. I wondered if Selby died, if her urbantasm would appear to me as well. Would I give up my search at that moment? I thought about May. I wanted her. The warmth of her arms. She could protect me, but now it was up to me to protect the others. I started to say a rosary to myself. I thought it might help me calm down. It doesn’t matter if I don’t have the beads, as long as I say the prayer. I knew the number and order of the Our Fathers and Hail Marys, but I’d forgotten what came before and after. Was it the Nicene Creed at the beginning or another saying? And what were the right ruminations? The scourging and the crown, yes, but what else? When Pilate washed his hands? No, that’s not right. None of us can just wash our hands. I said prayers until the sleep finally closed in around me.


About the Author:

Connor Coyne is a writer living and working in Flint, Michigan.

He’s published several novels and a short story collection, and his short work has been featured in Vox.com, Belt Magazine, and elsewhere. He lives with his wife, two daughters, and an adopted rabbit in Flint’s College Cultural Neighborhood (aka the East Village), less than a mile from the house where he grew up.

Learn more about Connor’s writing at: 

Author Website: http://ConnorCoyne.com 

Series Website: http://urbantasm.com


Author website: http://connorcoyne.com

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Monday, October 4, 2021

Book Spotlight & #Giveaway ~ Urbantasm Book Three: The Darkest Road by Connor Coyne @connorcoyne ~ General Fiction / Young Adult


Urbantasm Book Three
The Darkest Road
Connor Coyne

Genre: General Fiction / Young Adult

Subgenres: Magical Realism, Teen Noir, Edgy YA

Publisher: Gothic Funk Press
Date of Publication: 9/22/2021
ISBN: 978-0989920292 (Print)
Page Count 639
Word Count: About 230,000
Cover Artist: Sam Perkins-Harbin

Urbantasm: The Empty Room is the third book in the magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan. It will be published in September, 2021.

Junior high was hard. John Bridge has made and lost friends, experienced and forsaken love, and discovered his true passions. But after his harrowing experience on the roof of St. Christopher’s hospital, John has decided to turn the page of his own life and plan for his future. Now he has new friends, a new girlfriend, and a powerful new goal: to get into Chicago and leave Akawe forever.

But Akawe might not want to let John go. The city is full of memories and ghosts — urbantasms, according his former friend Selby — and they leave traces of questions that John cannot easily escape: What happened to his abducted classmate Cora Braille? How does the Chalks street gang keep replenishing its stock of O-Sugar, a drug with seemingly magical properties? And why is Selby suddenly hanging out with a notorious drug dealer? Does it have anything to do with a man with a knife or some mysterious blue sunglasses?

John has a feeling that the dreadful answers to these questions might take him to a place that he does not want to go: a dark road in a forgotten corner of his dying city. Possibly the darkest road of all.

Purchase Link:

Amazon     Urbantasm



As a serial novel, Urbantasm has to be read in order. 
New readers will want to start with Book One The Dying City.
 

Read an Excerpt from Book 3:

The summer dusk gave way to interstitial twilight. There was no sense in riding an hour back home in the dark just to turn around and come back the next morning. Instead, my friends and I bummed our way back to Camp Jellystone, where we got to camp in tents on the gravel and weeds off of the RV lot for five dollars a night. We sat around a fire and drank pop while the older actors – our mentors – went through six-packs of beer and homilized on their atheist Bibles. They quoted SNL routines, Monty Python, GURPS, Cthulhu, and the Digital Underground until we were all too tired to see straight. We all said goodnight and made our way back to our tents. But my tent had flooded during the week, and inside I found dead earwigs floating in slow circles.
            I didn’t mind.
            I was glad that this had happened.
            I gathered up my sleeping bag, which Eddie had dropped off in the morning before heading back to Akawe, and stumbled back through the purple dark to Omara’s tent.
            “Knock knock,” I said.
            I heard her sigh. “You got your own tent, John.”
            “Not tonight,” I said. “It’s flooded. Will you let me stay here?”
            “Fine,” she said. “If this ever gets back to my dad, he’ll murder you.”
            “I don’t think he will. I don’t think he’d murder a fly.”
            She didn’t argue. She knew that I was right. She unzipped the tent and beckoned me inside.
            In more than a year of going out, Omara and I hadn’t had sex. We hadn’t even been naked together. The driving thirst and curiosity that I had felt in seventh grade had been quenched by my confusing tumbles with Crystal. By my guilty nescience with Lucy. Still, here I was, sleeping bag in hand, stooped under the slope of the tent roof, wearing soccer shorts and a too-small t-shirt, and Omara stood before me, more stooped because she was taller than I was, her white panties and tank top bright against her dark skin. We unzipped our sleeping bags, made a bed between them, and lay down. Omara turned away from me, and I pressed into her back. I put my arm around her waist with my palm against her bare stomach. I could feel her shapes against mine, though there was still cloth between us.
            “It was a long day today,” she said.
            “Uh-huh,” I said.
            “We’d better get some sleep. It’s gonna be a long weekend. We got two more days to go. Then school. You know I got that job at the Olan Farm? It’s gonna be almost like this. I mean, I guess I’ll dress up like a milkmaid, like The Little House on the Prairie or something. But it’ll be acting, you know?”
            I sighed.
            “I’m not tired,” I said.
            “Me neither,” she said. And then, in a burst: “I can’t stop thinking about that woman on your block. Who murdered her baby.”
            I pushed myself against her. I held my breath. I said, “I can’t think about that. I mean. There’s nothing I can do about that. It makes me sick, but what does that even accomplish?”
            “But doesn’t it just stick with you? The idea of it? How awful it –”
            “I don’t want it to, okay? Anyway, it’s far away. We’re here now. Let’s stay here.”
            “We can’t stay here.” I felt the tenseness in Omara’s back.

“Yeah. But someday, we’ll leave Akawe for good. And anyway. We aren’t there now.”
            “Aren’t you afraid your dad’s gonna lose his job?”
            “My father? Yeah. He’s already driving two hours each day ever since they transferred him to Canton. Ever since that strike ended last year, it seems like X is closing everything fast as they can. You know? I mean, they closed the Benedict Main. Most of the Old Benedict. Probably RAN, too. ‘Course, my aunt says they were going to close them all anyway.”
            Omara laughed. A slight untensing. “Sounds like you have thought about it.”
            “I think about lots of things a lot. Some things I don’t want to think about and some things I do. I mean, I think about you a lot.”
            I was trying to move toward her. In, you know, ways. But she wasn’t taking the bait.
            “Aren’t you afraid they won’t be able to pay for college?”
            She’d finally succeeded. Omara’s fears had become my fears.
            “No,” I said. “I mean, my mother is working at that new job at XAI. And even if my father gets laid off, he’s got options. Right? Transfer to other plants. Stuff like that. What about you? Why are you worried? Didn’t your grandparents get you a savings bond or something?”
            “Yeah. But I keep thinking someone’s gonna open a trapdoor beneath me or something. I guess ... I guess I keep thinking I’ll believe in college when I get there. And not before. It just seems a bad idea to get my hopes up, you know?”
            “You don’t have to worry about it for a while. It’s still years off. I mean, we just have to keep working, don’t we? It’ll happen. We just need to be patient or some shit, you know?”
            The wind buffeted the tent over our heads. I could hear low talking outside. Low chuckles. Through the tent wall, I could see the embers of the fire flickering faintly. Some of the older actors would be slouching in their folding chairs until the sky started to gray with dawn. That was still several hours away. I listened to it for a long, slow minute.
            “I do worry,” I confided. “I worry that something will happen that I don’t expect, and I’ll get stuck. That I’ll fail a class, fail a test I need to pass ... and I won’t get into college in Chicago, or I won’t get into college anywhere. I worry that my parents are lying about everything, and they can’t pay for shit. I worry that I’m just being set up to fail. I even worry ...” I caught my breath. Saying this all out loud was hard. Trusting a human being was hard. But at least I wasn’t looking into her eyes. At least the darkness of a September tent wrapped us and kept our secrets from everyone else.
            “I worry,” I whispered, “that you’ll go away to college in Chicago, and I’ll be stuck in Akawe, and I’ll never get out.”
            I heard a deep breath from Omara. I felt her belly raise beneath my cupped palm. She had fallen asleep, and I was grateful.


Urbantasm Book Two
The Empty Room
Connor Coyne

Publisher: Gothic Funk Press
Date of Publication: September 2019      
Number of pages:
Word Count: 175,000      
Cover Artist: Sam Perkins-Harbin, Forge22 Design

Book Description:  

Urbantasm: The Empty Room is the second book in the magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.

John Bridge is only two months into junior high and his previously boring life has already been turned upside-down. His best friend has gone missing, his father has been laid-off from the factory, and John keeps looking over his shoulder for a mysterious adversary: a man with a knife and some perfect blue sunglasses.

As if all this wasn’t bad enough, John must now confront his complicated feelings for a classmate who has helped him out of one scrape after another, although he knows little about who she is and what she wants. What does it mean to want somebody? How can you want them if you don’t understand them? Does anybody understand anyone, ever? These are hard questions made harder in the struggling city of Akawe, where the factories are closing, the schools are closing, the schools are crumbling, and even the streetlights can’t be kept on all night.

John and his friends are only thirteen, but they are fighting for their lives and futures. Will they save Akawe, will they escape, or are they doomed? They might find their answers in an empty room… in a city with ten thousand abandoned houses, there will be plenty to choose from.



Urbantasm Book One
The Dying City
Connor Coyne
            
Genre: YA, Magical Realism, New Adult, Teen Noir, Lit Fic
Publisher: Gothic Funk Press
Date of Publication: September 6, 2018
ISBN: 978-0989920230
ASIN: 0989920232
Number of pages: 450 pages
Word Count: 85,000
Cover Artist: Sam Perkins-Harbin,
Forge22 Design

Book Description:

Urbantasm is a magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.

Thirteen-year-old John Bridge’s plans include hooking up with an eighth-grade girl and becoming one of the most popular kids at Radcliffe Junior High, but when he steals a pair of strange blue sunglasses from a homeless person, it drops him into the middle of a gang war overwhelming the once-great Rust Belt town of Akawe.

John doesn’t understand why the sunglasses are such a big deal, but everything, it seems, is on the table. Perhaps he accidentally offended the Chalks, a white supremacist gang trying to expand across the city. Maybe the feud involves his friend Selby, whose father died under mysterious circumstances. It could even have something to do with O-Sugar, a homegrown drug with the seeming ability to distort space. On the night before school began, a group of teenagers took O-Sugar and leapt to their deaths from an abandoned hospital.

John struggles to untangle these mysteries while adjusting to his new school, even as his parents confront looming unemployment and as his city fractures and burns.

 “A novel of wonder and horror.”— William Shunn, author of The Accidental Terrorist




About the Author:

Connor Coyne is a writer living and working in Flint, Michigan.

His serial novel Urbantasm is winner of numerous awards. Hugo- and Nebula-nominee William Shunn has praised Urbantasm as “a novel of wonder and horror.”
Connor has also authored two other celebrated novels, Hungry Rats and Shattering Glass, as well as Atlas, a collection of short stories.

Connor’s essay “Bathtime” was included in the Picador anthology Voices from the Rust Belt. His work has been published by Vox.comBelt MagazineSanta Clara Review, and elsewhere. 

Connor is Director of Gothic Funk Press.  He has served on the planning committee for the Flint Festival of Writers and represented Flint’s 7th Ward as its artist-in-residence for the National Endowment for the Arts’ Our Town grant. In 2007, he earned his Masters of Fine Arts in Creative Writing from the New School.

Connor lives in Flint, Michigan less than a mile from the house where he grew up.

Urbantasm: http://urbantasm.com

Author Website: http://connorcoyne.com

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Blog: http://connorcoyne.com/blog

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Goodreads: https://www.goodreads.com/author/show/4218298.Connor_Coyne

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Thursday, October 10, 2019

Book Series Spotlight & #Giveaway: Urbantasm (Book One: The Dying City and Book Two: The Empty Room) by Connor Coyne ~ YA, Magical Realism, New Adult, Teen Noir, Lit Fic #BewitchingBookTours @connorcoyne


Urbantasm 
Book One, The Dying City
Connor Coyne
            
Genre: YA, Magical Realism, New Adult, Teen Noir, Lit Fic

Publisher: Gothic Funk Press
Date of Publication: September 6, 2018

ISBN: 978-0989920230
ASIN: 0989920232

Number of pages: 450 pages
Word Count: 85,000

Cover Artist: Sam Perkins-Harbin,
Forge22 Design

About the Book:

Urbantasm is a magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.

Thirteen-year-old John Bridge’s plans include hooking up with an eighth-grade girl and becoming one of the most popular kids at Radcliffe Junior High, but when he steals a pair of strange blue sunglasses from a homeless person, it drops him into the middle of a gang war overwhelming the once-great Rust Belt town of Akawe.

John doesn’t understand why the sunglasses are such a big deal, but everything, it seems, is on the table. Perhaps he accidentally offended the Chalks, a white supremacist gang trying to expand across the city. Maybe the feud involves his friend Selby, whose father died under mysterious circumstances. It could even have something to do with O-Sugar, a homegrown drug with the seeming ability to distort space. On the night before school began, a group of teenagers took O-Sugar and leapt to their deaths from an abandoned hospital.

John struggles to untangle these mysteries while adjusting to his new school, even as his parents confront looming unemployment and as his city fractures and burns.

 “A novel of wonder and horror.”— William Shunn, author of The Accidental Terrorist

Purchase Links:

Amazon     Barnes and Noble

Read an Excerpt from Book 1:

Chapter 1

I have to become the Antichrist.
I realized this one night when I was standing on an overpass looking down through a chain-link fence onto the expressway below. Blue neon light shined off icy puddles. The gutters were flush with slush. Empty houses, ragged wrecks, hung out on tiny lots to my left and right. Beneath me, the cars that this city had built were leaving it – some of them forever. Across from me, on a rusted trestle, a freight train slowly passed, bringing in the parts for more cars.
As the train moved on through, I thought about Drake and about how God had fucked him over. How he’d fucked us all over. Then I thought about the house with Jesus graffitied on its side. Orange skin, blue eyes, green thorns. A welter of wounds. I clenched my jaw and my teeth squeaked together. Across from me, the train wheels squealed.
If I wanted to save my friends, I would have to murder God.

Chapter 2
                                                        
This is mostly my story, but I’m gonna start out by telling you about what happened to Drake. Just so you know – just so you can see right off the bat – what a bastard God could be and why a lot of us had it out for him.
In the summer of 1993, Drake had just turned sixteen.
He was going to be a junior, and his horror-show-of-a-life finally seemed to be turning a corner. He’d been living with his dad and sister in the trailer park when his mom finally moved out of her little house in the Lestrade neighborhood. She’d given it to Drake’s dad. She knew damn well that he wasn’t going to pay any rent, but she didn’t care as long as he kept the kids. Now Drake would have empty houses next door instead of empty trailers. He, his sister, and his dad had filled a couple dozen Hefty sacks with all their stuff and dropped them in the trunk of their scraped-up Benedict.
One trailer over, Sapphire watched, leaning back against the bent wall, her narrow eyes shaded behind her too-big sunglasses. She was a white girl, also sixteenish, with hair so light it glowed like tallow dripping from one of my mother’s candles. Blue eyes too, quiet laughter, nervous all the time, but silently thrilled to be growing up as fast as she could.
“I ever gonna see you now?” she asked.
“See me at school,” Drake said. “Summer’s done next week.”
“Suck a dick,” she said and laughed.
“Come over to my new place tonight. Come over, what, nine? Bring DeeDee. I’ll get Jamo and TK. Drinks from my dad. We’ll bust up that hospital like we said. I got gold now, you know. Crazy gold.”
And he did. Drake wasn’t a Chalk – fuck those racist fucks – but they were a North Side gang wanting to sell some coke and E out on the East Side, and Drake was their man. Okay, their middleman. EZ set the whole thing up. Drake hated the Chalks but he liked the money and he also liked EZ. How could you not like EZ, talking the way he did? Dude had magnetism.
Even before Drake had unpacked all his shit at the new place, even before the sun had dipped behind the swampy trees shadowing the creek, EZ pulled up in his moon blue Starr Slipstream. A sweet make and model for a blue-collar beater. Rust patches shaped like Martian mountains silhouetted against a dusty sky. EZ called Drake over to the window.
“You straight over here, D?” EZ said. “This all new to you?”
“Naw,” said Drake. “I got all the fiends back on Ash and I’ll get some here too. See my moms lived here years. Lestrade Hood. I know it. Every street. Every liquor store. Every squat the kids go to fuck.”
“What about you?” EZ asked. “You gettin’ some, D?”
“Not now, you know,” Drake said.
“But you got plans on that.”
“I don’t...”
“You better stitch it up then. If boys don’t fuck they die.” EZ grinned without parting his pink lips. Crows feet in the cracks of his mellow yellow eyes. He was white-ish, but he had some black in him, too. It always struck Drake as funny when black kids joined up with the Chalks.
Now EZ leaned out of the car, looking forward, turning to look back, taking in the whole street with its tidy ranches and its burnt-out wrecks. “Le Strayed,” he said, the tip of his tongue probing his teeth like he was rolling a Werther’s.
How old is he anyway? Drake wondered. Older than Drake. Younger than Drake’s dad. It was hard to tell.
            “You know,” EZ said. “Jesus was a fool to crawl up on that cross. God made the devil. Devil is God’s tool. Hammer in his hand. And the devil offered Jesus all the kingdoms of the Earth, and don’t you think that was part of Yahweh’s plan too? What you think woulda happened if Jesus had just said ‘yes?’  I bet we wouldn’t be slumming in Akawe.”
Akawe is the name of this city.
A poor city. A beat-up city. A car-making city an hour’s drive from Detroit, but then the cars it made left, along with the money, along with the people. Akawe.
“I don’t know,” said Drake. “I ain’t religious.”
EZ laughed. “No, you ain’t,” he said. “Here. I got something new for you to test for me. Make some night special. Full of secrets.”
He beckoned.  Drake leaned in through the open window. In EZ’s palm, a sandwich bag with five white pills.
“What’s that?” asked Drake.
“A new thing,” EZ said. “Chalks call it O-Sugar. Kinda like E. Kinda not. Try it out. Give it some time. Don’t go to sleep. Gonna see the world through God’s eyes. Feel like Jesus would if he’d said yes to his good friend the devil.”
After EZ signed off, Drake helped his dad and his sister unpack until the sun went down and his friends came over. They all sat on the front porch, passed a 40, smoked up, and put the pills of O-Sugar on their tongues and swallowed. They talked about music and cars and love and sex.
About big old TK who had built a Frankenstein sedan from the soldered guts of four different cars.
About DeeDee, sad-in-her-heart that this boy Shawn would never see a woman in her like she saw a man in him. “He’s on varsity, you know,” she said.
Then, there was skinny Jamo with his horn-rimmed glasses. He kept farting. He said he liked the kids’ urinals best because that way his dick didn’t brush the puck.
Drake didn’t talk much, though. He kept looking at Sapphire – her eyes, her face, her perfect nose – and he felt her laughter run his spine like blue notes down a keyboard. She was a song he hoped he might play some day, but not in a crude way. He hoped he was a conversation she might have.
The kids’ hearts started to glow in their chests with a slow, soft burn. That was the beer talking. They walked down the driveway to DeeDee’s Aubrey.
They left Lestrade and crossed the expressway into Anderson Park – brick houses, neat lawns, where the mayor and the college presidents lived – but even these exalted ones couldn’t keep St. Christopher’s Hospital open in crumbling Akawe. The hospital towered in the midst of the neighborhood, full of empty-dark windows and stern staring statues.
DeeDee parked on a side street of prim Cape Cods and the kids walked the last half block to the hospital complex. Above them, the moon waxed, and the whole sky – the everything – seemed to unfurl and offer itself to Drake, limpid and tender. Is that the O-Sugar? Or just the weed? Drake swelled into the wide space of that raw and thrilling moment.
TK led them across the cracked parking lot to the loading dock.
They hauled up the service gate, slipped inside, and descended into the fluorescent-lit basement. There were seven buildings in St. Christopher’s, but underground tunnels connected them all. After hitting a few dead-ends, the kids found their way to the central building. The six-story main building with a floor plan shaped like a giant cross. As they climbed, floor by floor, moment by moment, the shadows around them expanded with opportunities, with regrets redressed, and the future converging upon their pasts. Infinities of little universes hid in the dark corners of that empty space, clear of matter but clouded with tension, ready to emerge.
By the time they reached the roof, they all felt dizzy and disoriented. Before, their yearning spirits had stretched into each new second, each new room. But now that the potential for movement threatened actual motion – now that acceleration accelerated – they put their hands in their pockets and tried to slow down. The speed of everything was getting weird on them.
“Babies, I gotta sit down!” said Jamo.
They all sat.
“I feel like, like sad and sore,” said Sapphire and she plucked at her hair.
“Hold my hand, Saph,” said DeeDee, and they all held hands.
Far off, the sound of a train rang out and, at that moment, the city lights opened wide like eyes, and the stars glowed and exploded, and heat spilled like syrup from above. Dust and clouds, spinning and shining with lightning and friction. Planetoids and asteroids whirling  with volcanoes down jets of solar steam. As the train whistle sang, its sound was compressed, compacted, tonally shifted upwards, higher, with panic. As the pitch got higher and higher, Drake felt better and better, and it terrified him. He climbed on top of himself – palms pushing down on his head – to hold his soaring heart in place, but the shadows everywhere slid up  convex hypotenuses from the streets below. They weighed down invisible tightropes that connected to the tallest buildings Downtown. Everything kept turning bluer and bluer. Turning to blue and purple.
The shadows swung their arms. They were the remnants of that abandoned place, humanoid, with blue coins replacing their eyes. They had flown away when their owners checked out and went home or died at the hospital. Now, they returned, suctioned in, pulled back toward the points of departure.
But as the shadows converged and became more humanlike, Drake’s friends had been reduced to matter and residuals. TK and DeeDee and Jamo and Sapphire had all lost their eyes and their ability to speak. Their faces had become smooth planes of flesh and, finally, pure fields of electricity. Small blobs, data balls, started to grow and divide. Oxygen bloomed. The kids floated – impossible! – but happening, and as they did the lights got brighter and brighter, heightened and compressed, flattened and overheated.
“Sapphire...” Drake tried to say, and he leaned toward her, straining to see her features again. He wondered what had happened to him and his friends. What was happening around them. On every side. He imagined their height, sixty feet up. The death it represented.
Then, as if in response, space itself pressed in and Drake felt himself stretched out over the edge of the building. He fell. He was falling. Yellow-blue parking lot lines dropped away behind him and approached. They got small. The last thing he saw before he hit were black streaks of grypanian spirals, dotting away and multiplying.
The sky was a dome, but the parking lot was deep.

Urbantasm 
Book Two: The Empty Room
Connor Coyne

Publisher: Gothic Funk Press
Date of Publication: September 2019      

ISBN:
ASIN:

Number of pages:
Word Count: 175,000      
                                        
Cover Artist: Sam Perkins-Harbin, Forge22 Design

About the Book:  

Urbantasm: The Empty Room is the second book in the magical teen noir serial novel inspired by the author’s experiences growing up in and around Flint, Michigan.

John Bridge is only two months into junior high and his previously boring life has already been turned upside-down. His best friend has gone missing, his father has been laid-off from the factory, and John keeps looking over his shoulder for a mysterious adversary: a man with a knife and some perfect blue sunglasses.

As if all this wasn’t bad enough, John must now confront his complicated feelings for a classmate who has helped him out of one scrape after another, although he knows little about who she is and what she wants. What does it mean to want somebody? How can you want them if you don’t understand them? Does anybody understand anyone, ever? These are hard questions made harder in the struggling city of Akawe, where the factories are closing, the schools are closing, the schools are crumbling, and even the streetlights can’t be kept on all night.

John and his friends are only thirteen, but they are fighting for their lives and futures. Will they save Akawe, will they escape, or are they doomed? They might find their answers in an empty room… in a city with ten thousand abandoned houses, there will be plenty to choose from.

Read an Excerpt from Book 2:

In the perfect past, in the flushest years at Ellis Island, as overladen ships waked the gray waves and passed into New York Harbor, small groups of Greeks clustered at the prows  and pointed at the broad banks of twinkling lights in the distance.
“Είναι ότι η New York?” they'd ask a deckhand or
whoever happened to be standing nearby. “Ya,” he'd reply. “That's Coney Island.”
“Coney Island,” the emigrants repeated in awe, leaning out over the churning ocean to get a better look at their new home. It was sparkling bright, shimmering, these ethereal, auroral sparks in the morning twilight, murmured invitations from the Cyclone, the Wonder Wheel, to taste the delights of  the Boardwalk, of Luna Park, Steeplechase, Dreamland, and rapture on off of the Parachute Drop. The lights preceded the long queues, the dirty work, the discrimination against these Orthodox Christians with their swinging censers and their woolly bearded priests. In the hard years to come, the emigrants always held that first vision of Coney Island in their memories, because it was their first, unsullied glimpse of the Americas, and it had seemed to confirm the promise of a better life here. That's why, days, or weeks, or years later, having saved up scraps from their factory jobs, or having snuck small fortunes overseas, sewn into their threadbare jackets,  when they opened hot dog stands in the industrial cities of Southeast Michigan, they called them “Coney Islands.”
That's the story I was told growing up. Like so many of our New World origin stories, it's pretty much bullshit. The immigrants called their wieners “coney islands” because they bought them at Coney Island, and the local Chamber of Commerce banned the words “hot dog” because they figured the stupid immigrants might think their wieners were made from actual dogs.
But when the supposedly stupid immigrants arrived in Michigan and started selling their own coney islands in the nineteen teens, they decided to improve their product. Thus began a long process of prayer and experimentation, roots plucked from tiny backyard gardens, cattle slaughtered at the altar, with providential navigation toward the  apotheosis  of the hot dog.
The core of this creation was the wiener itself, and from 1914 these were produced under arcane secrecy by the Richard Goerlich Bavarian Encased Meats Company, later known simply as “Goerlich's.” Perhaps as a nod to the melting pot that threw the German Lutherans in with the Balkanites, a Goerlich was made out of many animals. A puree of pork and beef with secret spices all pressed together in a lambskin casing, tied off and smoked over a hardwood grill. The pork content meant  that these Viennas could be grilled for longer than other  wieners without burning and shrinking. The spices were sweet and sour: traces of mustard, sugar, vinegar, and salt. When you bit into a Goerlich, you felt the skin snap before your  teeth  sank into its soft inner flesh.
A Goerlich alone, however, was not enough to make the superior coney.  To turn a Goerlich into a coney, you had to   top it with coney sauce, mustard, and onions, on a fresh bun,  on a hot plate with a hot cup of coffee on the side. To do it  right, everything must be fresh. Even the mustard, the simplest ingredient, must taste as sharp as a paring knife and shine as bright as the sun. The Balkanites didn't just chop their onions into large, trapezoidal chunks. Onions were precision-cubed by calloused hands at half the speed of sound before being swept into oak barrels and sealed and chilled and called into use. Akawe Ashkenazi bakeries supplied the buns, which the Balkanites steamed before setting them onto waxed paper gracing elliptical china plates. The thick plates kept your food from burning your fingers. The thick cups kept your coffee from cooling off.
I haven't described the sauce. I've saved the best for last. Finely ground beef heart and beef kidney, mixed with beef suet and more ground up Goerlich's, browned minced onions, and sanguined spices. Which spices? Cumin and chili powder and something else. Something magical. Nobody knows what but the coney chefs, and if they told then they would not be gods.
The truth is, they may not have realized at first the specialness of what they had created. These Greeks, these Macedonians, these Albanians, these Rumanians had arrived in factory burgs to take up jobs in the factories and to serve the factory workers. The immigrants hemmed trousers, cobbled clogs, thatched nobs. They sold their coneys on the  side,  to earn a little extra, but soon they noticed that  the  coneys brought in more ducats than their other trades.
This was filling food; as heavy as it was delicious. The X Automobilians, whether sweating in the foundries, grinding through midnight shifts at the metal center, or straining over dies and tools in bright light for hours, could fill up in five minutes with a coney and coffee. The perfect food for an assembly line town, as demonstrated by the ordering  shorthand that sprang into life like a new language: “One up” meant a coney with everything; a milestone of verbal economy and the inverse relationship of calories to syllables. So coney stands became Coney Island Restaurants. They  bloomed fruitful and fecund, increased in number. Multiplied across the earth and increased upon it.
By the mid-twenties some three-dozen Coney Islands in Akawe served up tens of thousands of coneys a day built by hundreds of restaurant employees. Balkan assembly line workers bent over their stations for hours: one man grilled the Goerlich's, another steered it to its bun and plate, where the next station assembled the dressing, nothing written down, everything achieved with hands and voice, as demanding of speed and rigor as riveting.
I'm not exaggerating when I tell you that there were so many Coney Islands that they were served over the river; two restaurants opened on the midst of the East Street Bridge and stayed there for decades. I'm not exaggerating when I tell you that the Coney Islands were open 24-7-365. Once, during a flood, a Coney had to hire a security guard to watch the door because the owners had lost the keys years earlier.
The Coney Islands thrived along the factory zones. They pulsed along the Akawe's main arteries. They anchored each neighborhood and kept their street corners noisy  all  night long, from the wail of the evening whistle to the chiming of the church bells.
When the factories started to wither, the Coney Islands did too.
They held out longer than the factory jobs but, one by one, the great restaurants closed their doors. Midnight Oil Coney Island, Akawe Old Fashioned Coney Island, Delicious Coneys, Joe's Original Coney Island, and most of the others dried up through the 80s. By 1993, there were less than a dozen left.

About the Author:

Connor Coyne is a writer living and working in Flint, Michigan.        

His first novel, Hungry Rats, has been hailed by Heartland prize-winner Jeffery Renard Allen as “an emotional and aesthetic tour de force.”

His second novel, Shattering Glass, has been praised by Gordon Young, author of Teardown: Memoir of a Vanishing City as “a hypnotic tale that is at once universal and otherworldly.”

Connor’s novel Urbantasm, Book One: The Dying City is winner of the Next Generation Indie Book Awards 2019 Young New Adult Award.  Hugo- and Nebula-nominee William Shunn has praised Urbantasm as “a novel of wonder and horror.”

Connor’s essay “Bathtime” was included in the Picador anthology Voices from the Rust Belt. His work has been published in Vox.comBelt MagazineSanta Clara Review, and elsewhere.

Connor is on the planning committee for the Flint Festival of Writers and in 2013 he represented Flint’s 7th Ward as its artist-in-residence for the National Endowment for the Arts’ Our Town grant. In 2007, he earned his Masters of Fine Arts in Creative Writing from the New School.

Connor lives in Flint’s College Cultural Neighborhood (aka the East Village), less than a mile from the house where he grew up.




https://www.youtube.com/user/connorcoyne   




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